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      <image:title>Blog - Comunicar el patrimonio religioso hoy (I): El patrimonio no se explica, se interpreta - Make it stand out</image:title>
      <image:caption>Se puede explicar durante veinte minutos la historia de un edificio… y seguir sin responder a la pregunta por su sentido</image:caption>
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      <image:title>Blog - Cuando el problema no es el medio, sino la forma de contar - Make it stand out</image:title>
      <image:caption>Lo religioso se expresa desde siempre en muchos lenguajes distintos</image:caption>
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      <image:title>Blog - ¿Puede pensarse la religión como un universo narrativo transmedia? - Make it stand out</image:title>
      <image:caption>Lo religioso se expresa desde siempre en muchos lenguajes distintos</image:caption>
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      <image:title>Blog - Canon y fandom: el storytelling religioso en clave transmedia - Make it stand out</image:title>
      <image:caption>Las raíces son la tradición, los textos el canon, y las ramas, el fandom</image:caption>
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      <image:title>Blog - Del púlpito a la red: transformación del modelo comunicativo religioso - Make it stand out</image:title>
      <image:caption>La comunicación religiosa ha cambiado para siempre</image:caption>
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      <image:title>Blog - El Camino de Santiago a la luz de Joseph Campbell (y de C. Zalone) - Make it stand out</image:title>
      <image:caption>La experiencia de hacer el Camino, ¿no es una reedición del Viaje del Héroe de J. Campbell?</image:caption>
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      <image:title>Blog - La lección de Puñales por la Espalda 3 - Make it stand out</image:title>
      <image:caption>La arquitectura religiosa es, en sí, storytelling</image:caption>
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      <image:title>Blog - El Camino de Santiago como relato - Make it stand out</image:title>
      <image:caption>Una imagen condensa muchos significados</image:caption>
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    <loc>https://www.inmaalvarez.net/blog-comunicacion-y-storytellig/lugares-sagrados-y-transmedia-2a-parte-8b78k-fsy72</loc>
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      <image:title>Blog - Riesgos de banalización en la narrativa transmedia - Make it stand out</image:title>
      <image:caption>Roma semper vivens</image:caption>
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      <image:title>Blog - Cómo contar lo sagrado en clave transmedia: una aproximación - Make it stand out</image:title>
      <image:caption>Catedral de Valencia</image:caption>
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      <image:title>Blog - Del lugar sagrado al universo narrativo: una mirada transmedia - Make it stand out</image:title>
      <image:caption>Maravillosa Sainte Chapelle en París</image:caption>
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      <image:title>Blog - Ibrahim y el arte de narrar en las calles de Oriente - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Los lugares sagrados y su storytelling - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Por qué el storytelling importa en cultura y religión - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Storytelling, teoría del gatekeeper y responsabilidad ética - Make it stand out</image:title>
      <image:caption>El gatekeeping es ante todo una actividad ética</image:caption>
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      <image:title>Blog - Narrativa transmedia: Contar lo mismo en todas partes no es contar bien - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Disney: Las narrativas que repetimos y las que ignoramos - Make it stand out</image:title>
      <image:caption>Revisitando a los hermanos Grimm y a Charles Perrault</image:caption>
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      <image:caption>Ella aún tiene su muñeca. Caspe, 1938. Dominio Público</image:caption>
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